Artist Bio:
Shaluza Max Mntambo is a visionary artist. A composer, producer and arranger, his tenor voice easily adapts to a range of vocal expression. Strongly rooted in African tradition, Shaluza Max incorporates contemporary jazz with global rhythms to a repertoire that is voracious and versatile. Born in Kwa-Mashu, Durban, the vibrant musical township that continues to spawn a host of exceptional artistic talent, Shaluza Max began his vocal training in classical choirs at age 14.
Strongly influenced by gospel music, the young singer conceived and formed what was to become a promising exponent of African-jazz fusion — the group JAMA. Moving from Durban to Johannesburg in 1986, JAMA soon became regulars on the jazz circuit. The young musicians honed their skills in the company of groups like Stimela, Sankomota and Tananas in venues like Jazz Joint, Kippies and Jamesons Jazz Club. Towards the end of 1987, JAMA, moved to Cape Town and toured with bands like Sakhile, Johnny Clegg and Savuka and Bayete.
The young group disbanded in '88 and seized the opportunity to tour with the blockbuster musical Sarafina. Seven of the original eight band members took to the stage under the watchful eye of Mbongeni Ngema. After five sold-out months at Johannesburg's Market Theatre the musical toured Europe for 30 months, and played to sell-out crowds in Tokyo and Osaka in Japan. Max played the male lead vocalist and behind the scenes was appointed voice trainer for the whole group at the tender age of 20. In '92 he resigned and returned home to Durban to focus on a bold career move, music.
He worked briefly with Durban-based musicians, including vocal powerhouse Busi Mhlongo. He also featured as lead vocalist on Sakhile's Welcome Home album. The release coincided with the return of many exiled musicians. Shaluza Max went on to perform at Hugh Masekela's second show in South Africa after 30 years in exile.
The world watched the inauguration of Nelson Mandela and the subsequent lifting of the cultural blockade in South Africa. Attracted by the limitless talent boasted by South Africa, record company B&W saw the opportunity to launch the new legendary Outernational Meltdown series. In '94, over 40 virtuoso musicians from South Africa, the U.S., Cuba, Brazil and the UK came together to make music. Max composed and arranged and sang on most of the 30 tracks recorded. The fruit of a heavyweight jam session featuring artists like Jose Neto, Airto Moreira, Sipho Gumede, Flora Purim, Pops Mohamed and Moses Molelekwa were pressed into a three-CD collectors item set. In the true spirit of jazz, nothing was written down before the artists came together. During the three-week studio session, Shaluza Max's ability to spontaneously create and interpret ideas into melodies and rhyme was exemplary.
Continuing in the vibe of the Outernational Meltdown series, B&W Music brought together three South African musicians and two British musicians to form the group Barungwa (a Pedi word meaning "The Messengers"). All established musicians in their own right, Max was called on to be the lead vocalist, lyricist, composer and arranger of the progressive jazz outfit. '96 saw Barungwa on tour in the UK, Ireland and a debut tour in South Africa. Their music, inspired by traditional Zulu, Xhosa and Pedi rhythms and melodies, spiced with brash London acid-jazz flavor, forms conscious aural currency to trade on the global market.
Max co-wrote and co-produced the soundtrack of the celluloid version of South African classic Jock of the Bushveld. His voice can also be heard on the children's cartoon hit The Lion King, along with fellow South African musicians under the direction of Lebo M and Tim Rice.
Shaluza Max's debut solo recording project was completed in July 2000, producing a ten-track album entitled Kusile' (Dawn) in just four weeks. The album climbed the local radio charts with songs like "Isigwadi" and "Amaginsa" among the favorites. —Courtesy Calabash Music
