Oliver Mtukudzi

With his soul-inflected "Tuku" style, singer/songwriter/guitarist Oliver Mtukudzi alone rivals Thomas Mapfumo for the mantle of Zimbabwean pop's spiritual father. Mtukudzi recorded his first hits in the late 1970s and remains active today. Though it includes elements of Shona and other Zimbabwean traditional music, Mtukudzi's sound also draws heavily on South African township pop and classic R&B. Mtukudzi adores Otis Redding, above all, but his own husky, mellifluous voice sounds closer to Jamaica's Toots Hibbert.

Claiming no overriding stylistic model, Mtukudzi believes in the interrelatedness of all African music, "from Cape to Cairo." Just the same, Oliver's winning personality pervades his sound, rendering the Tuku style instantly recognizable. Mtukudzi always packs in a dance crowd at his frequent shows in Harare's hotel/club scene. His rollicking songs and long-legged dance moves go down well, but Mtukudzi says it's his message, not the beat that sells the songs. Acting as a kind of national conscience, Mtukudzi concentrates on family stories, sensitively exploring the social issues people face in their daily lives, including now problems surrounding AIDS and the premature deaths of adults in a family.

Mtukudzi's 1992 CD Shoko presents a set of classic tuku hits, crisply recorded in a German studio. However, since then, he has been recording in a state-of-the-art studio in South Africa, and produced several polished albums for the international market, including Tuku Music (1998) Paivepo (2000) and Vhunze Moto (2202). A live record The Other Side, recorded in Switzerland, followed in 2004; and 2005's Nhava saw Tuku return to international touring. Self-effacing and down-to-earth, Mtukudzi runs a grocery story in his hometown when he's not working with his band. – Banning Eyre, Courtesy Afropop Worldwide: www.afropop.org