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Artists:
Los Naranjos Album:
Respeta Mi Tambo
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Label:
Ahi NamaReleased:
1994
| Title | Listen | Buy | |
|---|---|---|---|
| 1. | Nadie Se Salva De La Rumba | ||
| 2. | La Reina del Guaguanco | ||
| 3. | Amalia Batista | ||
| 4. | Amala Pa' Chango | ||
| 5. | El Palomo | ||
| 6. | Si Yo Soy Feliz | ||
| 7. | Respeta Mi Tambo | ||
| 8. | Tu No Lo Creas | ||
| 9. | Oriente | ||
| 10. | La Jardinera | ||
| 11. | Sabrosura | ||
| 12. | Blanca Nieves | ||
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Review:
If you were to ask what is the most recognized, traditional sound of Cuba, undoubtedly, the answer would be the 'son'. The son, with strong afro-Cuban, afro-French, Andalusian and Canary musical patterns, goes back to the beginning of the 20th century in the Oriente (east side of island) province. Played by different ensembles (mostly sextets or septets), its main features were the 'tres' (a Cuban guitar with three orders of double strings), a six string guitar, a bongo, an assemblage of minor percussion instruments (clave, botija, maracas and guiro) and, when the rhythm reached the occident (west side of island), the sound of a single trumpet was added. It's lyrics reflected love and romance or public sentiment on soical or political issues. — CalabashMusic.com |



